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Hermann Nitsch anglais danois Ghost ou la critique de la ou la critique de la critique ordinaire de l'aliénation algorithmique" ambiguities colonial and postcolonial and finally sympoiesis* culminating in the so called Orgien Mysterien Theater (Orgies Mysteries Theatre) where performance entrails and bodily fluids and his highly expressive bloody paintings are distinguished by an intense appropriation of religious symbols and liturgical rituals
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